thriller
There are many reads you could take from Vincent Must Die and how its theme speaks to you will be your own experience.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Dead Ringers proves not only the power of the limited series but the ability to successfully remake a classic for a new age of viewers.
A sprawling tale that crosses multiple genres, Trenque Lauquen is at its heart about a woman trying to find herself.
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
Inside was one of those rare gems that I never expect to come across but when I do I like to scream about it from the rooftops.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.
The Omen may be a film about the Anti-Christ, but it is also a film that looks at the ills of man, and the ability of evil to conquer good.
How to Blow Up a Pipeline addresses climate catastrophe from the perspective of a generation intimately and agonizingly familiar with its presence.
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
Stalker dared to be better than just, “good.” It was great and kept me guessing throughout the entirety of its 90-minute runtime.
