Trevante Rhodes
The United States vs. Billie Holiday is multilayered and nuanced in its messaging, brought to life on the strong performance of Andra Day.
The Federal Bureau of Narcotics launches an undercover sting operation against jazz singer Billie Holiday.
There are successful films buried within Bird Box, but it refuses to build any identity as a film beyond its concept.
In Bird Box, a woman and a pair of children are blindfolded and make their way through a dystopian setting along a river.
The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.
When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.
What happened to the art of film criticism, the kind of visceral, honest prose delivered from titans like Pauline Kael? We are witnessing its noisy death rattle and few seem to care. Moonlight, the newest film from director and co-writer Barry Jenkins, is a literal coming-of-age story, chronicling the journey of a young, gay black man, Chiron, into adulthood amidst the rougher parts of Miami.
Though Moonlight employs a stylistic, arthouse approach as opposed to a traditional narrative, it is nonetheless an important one to watch for people of all walks of life.
