Tribeca Film Festival
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Del Kathryn Barton’s Blaze brings intense drama to the 2022 Tribeca Film Festival, as a young girl named Blaze deals with immense trauma.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Film Inquiry spoke with star Charlie Heaton and writers/directors Andrew Irvine and Mark Smoot for No Future.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
Stephanie Archer continues her coverage of the online Tribeca 2020 Film Festival by taking a look at some more narrative short films.
In Part 1 of our coverage for Tribeca’s Narrative Shorts, there was everything one would expect – intrigue, heart, and catharsis – each wrapped in their own stories and own voice.
Stephanie Archer covers eight documentary short films from Tribeca, compelling pieces that allow voices to be heard and provoke conversation.
Three short films of Tribeca’s N.O.W. segment proved to be truly captivating and eye-opening.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
