United States
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
While it doesn’t reinvent the wheel, To Leslie is anchored by an incredible performance from Andrea Riseborough and confident direction of Michael Morris.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
Rob Zombie’s The Munsters is endearing, and even if you never grew up on the series, the film retains a ghoulishly wholesome energy.
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
For Sidney Poitier novices and acolytes alike, I think there’s much to be appreciated about this timely homage
Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
