vampire
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
As a whole though, Dracula balances out as a brilliant classic of an early introduction to sound films and early horror inductions.
Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.
Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
The Horror of Dracula is one of the greatest horror films of all time. Or the last seven minutes are, at any rate.
With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
Blood Bound is a good film to watch if you’re looking for 98-minutes of chuckles and seat-squirming, but you’ll still be abundantly aware that it could’ve been a whole lot more.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Living Among Us is a poorly planned improviso, lacking direction, depth, story, character development and the ability to engage the viewer.
Whilst most filmmakers tend to lean on retelling Bram Stoker’s story of Dracula, this is a selection of creative and interesting takes on the popular vampire genre.
