women directors
“Ashley George: Sometimes, Forever is a twist on my own experience as a sexually confused girl living in a pretty straight, suburban world, so the narrative draws mainly from personal experience.”
After the Paris terrorist attacks, two aerial artists worked tirelessly to spread a message of hope. This short film, Art Of Courage, details their story.
Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.
Join us in our challenge to watch only female-directed films for an entire week, and find out how hard that actually is.
American Fable doesn’t quite strike all the right chords, lacking just one spark that might have turned this movie into a lasting cult classic.
Never scared to experiment with format, or to tell a sincerely personal story, Carol Morley is truly a filmmaker of our time.
We spoke with director & activist Maria Giese about the incredible organizational efforts behind the Women’s Media Summit, taking place 31 March – 2 April.
Lou Simon is an independent director who mostly makes horror films; we had a chance to sit down with her to discuss her filmmaking process.
Activist and director Maria Giese reports on all she knows so far about the ongoing EEOC investigation into systemic discrimination against women in Hollywood.
Though with an unimaginative score, Akron effectively tells a story about two gay men who meet and fall in love in Midwestern America.
Real Artists is an Orwellian science fiction short film written, directed, produced & performed by women – a rarity – but it sure delivers.
Géza Von Radványi’s Mädchen in Uniform explores romance, while depicting love that varies in intensity, significance, and objective.
We sat down with Tema Staig, the woman behind Women In Media, who has been pushing for the acknowledgement and hiring of women in the film industry.
We spoke with Kirsten Johnson, director of the documentary Cameraperson, how she became a cameraperson herself, and about her inspirations.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
