zombies
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
Who knew that in 2020, the messages and words of Anna and the Apocalypse would find new and even deeper meaning.
He was an independent filmmaker in the truest sense of the word. The films discussed all showcase Romero’s voice and fearless spirit.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
Rarely do Christians shudder at the horror of Jesus’s mastery over death and his power of resurrection that form the foundation for the hope Christianity offers the world.
Blood Quantum manages to be creative, while somehow also maintaining the zombie apocalypse genre’s known sensibilities.
Little Monsters is a horror comedy with no scares, and a comic potential that runs out of steam by the time the premise kicks in.
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
In his second installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal looks back at the two faces of fascism within Hot Fuzz.
In his first installment examining Edgar Wright’s “Cornetto Trilogy”, Faisal looks back at the chaos and conformity within Shaun of the Dead.