Every year horror film enthusiasts unite to watch their favorite scary films. New movies come out around Halloween season, endlessly trying to be more graphic and push the shock factor a little further. But what is it about these films that keep us wanting more?
David Ayer’s Fury is the story of an American tank unit led by “Wardaddy” (Brad Pitt) near the end of the European Theatre in World War II. Ayer is still best known for writing 2001’s Training Day, but after he made the surprisingly acclaimed End of Watch, he has been given the chance to direct a full-blown war film. Ayer’s hyper-masculine style is one that could be to the detriment of a war film that is trying to stay grounded in reality, but he is able to dial back his tendencies enough to keep it from being a glorification of violence.
A trio of rambunctious adolescents storm into a man’s house, steal his car, and then, just for the hell of it, beat his dog to death. Unbeknownst to them, the man they robbed is none other than John Wick, a former assassin who was so good at his job that he earned a nickname of “The Boogeyman.” Let’s just say that they pissed off the wrong guy.
Film Noir stems back to the earlier days of Hollywood, starting with the Humphrey Bogart classic The Maltese Falcon in 1941. This film, the first from cinema great John Huston, established many of the trademarks we associate with the sub-genre today. The term Film Noir literally means “black film” and refers to how dark and shadowy the films tend to be.
Tom Hardy is one of the most versatile and talented actors in film today. His resume is proof. From his first performance as Twombly in Black Hawk Down, to his most recent one as Bob in The Drop, he has delivered a dazzling array of characters on screen.
I’ve never really understood the law. That, however, never stopped me from drooping inquisitively over courtroom dramas. With my rediscovery of A Few Good Men on TV a few months ago, this sub-genre managed to spark some affection in my geeky wonderland of a mind.
Every Monday Film Inquiry publishes the movies that are opening in cinemas! This week: Ouija, John Wick, White Bird in a Blizzard, Laggies, Citizenfour, Force Majeure and 23 Blast.
It is easy to be a bit cynical about the state of modern commercial filmmaking. So many of today’s wide-released movies are either remakes of a remake of a remake or star a buff white dude fighting crime (usually in a cape or police uniform). With big studios investing so much money in the big movies we see today, they cannot afford to take huge risks.
Dracula Untold tries to be a lot of different things – a PG-13 horror movie, a historical epic, a Gothic romance, a superhero origin story – and it does it all while at the same time trying to kick start an Avengers-style shared movie universe. Whether you call that ambitious or just the obvious product of too many cooks in the kitchen, it doesn’t succeed on every front. But remarkably enough, as a pure popcorn movie, it doesn’t completely fall apart, either.
Every Monday Film Inquiry publishes the movies that are opening in cinemas! This week: Fury, The Best of Me, The Book of Life, Birdman, Dear White People, Listen Up Philip, The Town That Dreaded Sundown, Camp X-Ray, The Tale of Princess Kaguya and Watchers of the Sky.
Let’s be honest, the best reason to see this film is Kate Beckinsale. She is beauty, talent and skill that transcends all barriers of marketing appeal. We can focus this whole article on her but out of duty, I have to talk about this film.