Myrtle Beach takes a look at working class people within the predominantly conservative city, painting them in an empathetic, relatable light.
It Comes At Night is the sophomore effort of Trey Edward Shults, and it looks like a great claustrophobic potboiler with a great cast.
It’s quite rare that horror films are given any type of awards attention, despite their prominence in the mainstream film scene. We discuss why.
Despite initial scepticism, Rogue One: A Star Wars Story is a vividly presented and brilliantly executed standalone Star Wars film.
We spoke with Ceyda Torun, the director of KEDI – a feel-good documentary about the cats in Istanbul – about cats and “positive terrorism” and helping people restore their faith in humanity.
Kedi is a joyful documentary that features the cats in Istanbul, Turkey, and the special connection they have with the city’s humans.
Lovesong drew strong praise after its debut at 2016’s Sundance Film Festival, and while it will enjoy only a small theatrical release, it looks like a gem worth tracking down.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Though its feel-good sentiments are hard to resist, there are simply too many tonal and structural issues that hold LION back from greatness.
Revisiting Edward Yang’s A BRIGHTER SUMMER DAY, a complex and emotional film that explores the past and the present in its 4 hour runtime.
Personal Shopper stars Kristen Stewart as a young woman caught up in the grief and intrigue of her twin’s death.
The Cornetto Trilogy are not only some of the funniest films this century, but they also convey important themes about life and maturity.