In our latest interview, we talk with director Michael McQuown, whose latest work is the anthology horror film The Dark Tapes.
Overstuffed, generic, and with poorly executed CGI action, The Fate of the Furious is nothing more than another franchise crowd-pleaser.
In this episode of the Film Inquiry podcast, Jay & Mike talk upcoming movies, and slowly lose their minds.
In Like Crazy, two women escape from a psychiatric facility for a joyous romp; it’s likely deeper than its trailer suggests.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
“Ashley George: Sometimes, Forever is a twist on my own experience as a sexually confused girl living in a pretty straight, suburban world, so the narrative draws mainly from personal experience.”
After the Paris terrorist attacks, two aerial artists worked tirelessly to spread a message of hope. This short film, Art Of Courage, details their story.
Julia Ducournau’s debut RAW doesn’t deserved to be labelled as “barf bag” cinema, as this is one of the best horror debuts in recent memory.
For week two of the San Francisco International Film Fest, our writer Arlin Golden documented the films he was able to see and experience.
In our latest beginner’s guide, we rundown director Mike Nichols, who had humble beginnings in comedy before becoming an acclaimed director.
While The Promise has lofty aspirations and a flimsy base, it proves too thin and drab to be truly gripping.
Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.
The latest Staff Inquiry is about our favorite opening credits, and how they manage to set the style and tone for the film that follows.
Most Hated Woman In America never quite lives up to the intrigue of the contentious woman and her story at the heart of the film.
