In Out of the Past (1947), we get to witness Kathie Moffatt’s moral degeneration and final morphing into the femme fatale of the story.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
Abacus: Small Enough to Jail focuses on a bank who could be scapegoated for the crisis without decimating the U.S. financial system.
We spoke with legendary documentarian Steve James about his new film, Abacus: Small Enough To Jail, about the economic crisis & finding truth.
It’s hard to get any tangible ideas about Woodshock from this tease, mixing as it does paranoia, regret, longing, and general unease into a bewildering milieu.
About an aspiring actress in Iraq, Dream City weaves together both political and personal prospects to capture an immersive slice of life.
Streamer is a tense, intimate and at times stunning feature that ultimately derails in its very final moments.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Nowadays, bigger movies are taking on LGBTQ storylines, clearing the way for smaller films like AWOL to dig into textured scenarios.
Rushmore is a film that employs screwball comedy conventions, helping to create an interesting combination of genres.
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
We spoke with Sarah Moshman about her latest documentary, Losing Sight of Shore, which is now available on Netflix.
Thoroughly tongue-in-cheek, The Hitman’s Bodyguard references The Bodyguard in the cheesiest way, starring Ryan Reynolds & Samuel L. Jackson.