One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
We take a look at Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, which deals with the mundane in a truly unique way.
Real life makes for a winning romantic comedy in The Big Sick, a film based on the relationship between its screenwriters Emily V. Gordon and Kumail Nanjiani.
Film Inquiry writer Arlin Golden had a chance to talk with Rod Armstrong, a programmer of the San Francisco International Film Festival.
We had a chance to talk with Emily Keating, the Director of Education for Created Equal, a civil rights and film program for kids in Brooklyn.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
Churchill is one of two biopics on the legendary leader coming in 2017, this one starring Brian Cox as Churchill & John Slattery as Eisenhower.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
With the festival entering its final day, and my screenings complete, I thought my time…
Sofia Coppola’s The Virgin Suicides is a film about five sisters that is often dismal and dark, yet it also conveys powerful feminist themes.
Tramps may be a rom-com story we’ve all seen before, but it’s done with charming and nuanced touches that make it a joy to watch.
We celebrate Donnie Darko’s 15th anniversary by reconsidering some of its themes, which are simpler than the movie makes it seem.
