Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.
Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.
Coco is the first non-sequel from Pixar since 2015’s The Good Dinosaur, and it’s currently the only one on their official slate.
Editor in Chief Manon de Reeper is attending Los Angeles Film Festival and saw Moko Jumbie & Mighty Ground – here’s her report.
Elliott Lester had juicy, absorbing material to work with. Unfortunately, he turns Aftermath into an underwhelming and empty endeavor.
Our next installment of Take Two sees us examine David Lynch’s divisive debut feature about strange dreams and deformed children: Eraserhead.
Maudie works due to the central performance by Sally Hawkins, though the troubled relationship portrayed is occasionally too downtrodden.
We had the chance to speak with director Matt Schrader about the making of his upcoming documentary Score: A Film Music Documentary, a film any film nerd should see.
In Alain Desrochers’ Security, A security guard works to protect a woman who is being targeted by a gang for being a trial witness.
Movie sequels come in many flavors and forms; here is a rough categorization of seven different types that have developed through the years.
We were able to talk with Martha Williams, the creator of a web series called Run For Your Life, dealing with the subject of modern dating.
In part due to overly pushy satirical agenda and an awkward performance from Brad Pitt, War Machine is a failed attempt at a modern war film.
Ana Lily Amirpour continues to play with genre material in The Bad Batch, setting her sophomore film in a Mad Max-style wasteland soaked in violence and sex.
The quietly consistent career of Cillian Murphy, is one that has seen him become a sure-fire presence in British and American cinema.