While it doesn’t address the female role, On A Knife Edge is a deep insight into the life of the Native American, that is sure to enlighten.
A Hard Day’s Night not only works as a celebration of The Beatle’s iconic music, but as a satire on the very nature of stardom and celebrity.
Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.
The trailer and quality players attached makes The Mountain Between Us look like a strikingly shot wilderness adventure.
EKAJ teaches us about the turbulent lives of LGBTQ youth – we spoke with first time director & professional photographer Cati Gonzalez.
With fine performances and biting humor, Catfight is an interesting satire, delving into power struggles and the human condition.
Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.
Steven Soderbergh’s retirement turned out to be short-lived, as he’s back with another heist film, Logan Lucky.
By the talented Jeff Nichols, Midnight Special is similar to the comic hero Superman, documenting how he would be depicted in the real world.
Paint it Black is an impressive debut from director Amber Tamblyn, with strong performances shining brighter than the visual quirks.
The Big Boys’ Playground by Guillaume Lion paints rock climbing as a finely detailed, balanced, and makes the sport that more intriguing.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Colin Trevorrow scales back for The Book of Henry, taking on the story of a family investigating a suspicious neighbor under the directive of their hyper-intelligent son.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.