Speech & Debate isn’t great, but is enjoyable despite its plot holes, and features a great performance from Sarah Steele.
So Yong Kim’s Lovesong is a minimalist, strikingly formed small-scale drama about two female friends slowly falling in love.
Alistair Ryder attended Sundance London and saw Icarus, Marjorie Prime and A Ghost Story and shares his thoughts!
Although the idea of reimagining Pride & Prejudice with a same-sex couple, Before The Fall lacks the fiery spirit of the source material.
Nathan Osborne discusses the benefits and theories surrounding his support for Disney’s stand on piracy and hackers.
Music, improvisation and intimacy: these are the ingredients that have made Derek Cianfrance’s films such emotionally-satisfying treats.
While The Wizard of Lies is overly long and brings nothing new to Bernie Madoff’s story, Robert De Niro’s performance more than makes up for it.
Stefan Zweig: Farewell To Europe is a fine display of craftsmanship, but it’s far too infatuated with its own beauty to engage on the level to which it aspires.
Though blessed with a talented cast, Baywatch is overall a shipwreck, due to its rudimentary, unfocused script and few laughs overall.
Film Inquiry writer Alistair Ryder shares his experiences of his first day at Sundance London, and the four films he was able to see.
The setup of Wind River provides Taylor Sheridan another opportunity to steep his action in issues specific to forlorn places and murky justice.
