The unoriginal, uninspired premise of stoner comedy Ripped is partially saved by the dedication of the two lead actors.
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.
Pulp is what 68 Kill offers up, both in the sensational violence department and the end state of Matthew Gray Gubler’s face.
It Comes at Night advertises itself as horror, but is in actuality a more atmospheric, spine-tingling thriller; here’s why this was an issue.
There isn’t a single original narrative element in this inspirational drama- but the insight into post-WWII Estonian life is fascinating.
Amnesia follows Jo and Martha, who have come to the island of Ibiza for different reasons, and form an unlikely but heartwarming friendship.
Starring Gary Oldman as Churchill, Darkest Hour takes place right after he took over as Prime Minister of the United Kingdom in 1940.
Fire Walk With Me is a bolder, darker look at the Twin Peaks universe, but it is essential in understanding the show’s larger themes.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Disney has become a risk-averse production company, heavily reliant on sequels and remakes that have…
Passengers, upon release, was panned as a misogynistic fantasy; but here’s why it might actually be more progressive than that initial take.
