Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
Any advocate for the sustainable farming industry will enjoy director Laura Dunn’s documentary Look & See: A Portrait of Wendell Berry.
Dylan Walker attended Edinburgh International Film Festival; he reviews Attraction, Double Date, The Dark Mile and The Last Photograph.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
Paddington 2 is selling a warmhearted, patient brand of entertainment that families aren’t getting anywhere else, and that will likely make it another smashing success.
Al Pacino is responsible for some of the best screen performances of all time. Here, we take a look at some of the most iconic.
Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
The neon-bathed sci-fi/horror movie Flatliners is getting a sequel 30 years later, but you’ll be forgiven for thinking this is a remake.
If done right, a Grand Theft Auto adaptation would be thrilling, hilarious, and could be one of the most ambitious adaptations ever produced.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
