A deeply touching film about sexuality, Between The Shades opens the door to seeing LGBTQ+ people as exactly what they are. Human.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
The kids aren’t alright in the trailer for Step, a documentary following a group of high school seniors in inner-city Baltimore.
The Silent Hill movie was a fun movie with its own story, while still holding onto a level of faithfulness from the video games.
Good Fortune tells the rags to riches story of billionaire John Paul DeJoria, and how he dedicates his time and funds to good causes.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
If we can accept aesthetic subversion as a form of commentary or aesthetic, why do we still consider trash films as some sort of failures?
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
Amir Bar-Lev’s devotion for the Grateful Dead is a clear, but his skill makes Long Strange Trip a movie that even non-believers can appreciate.
With a tagline like ‘Last call, Pitches’, Pitch Perfect 3 seems to be the final hurrah for the Bellas, and they’ll go out with a bang.
