Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
Borg/McEnroe tells the story of the biggest rivalry in tennis ever, with Shia LaBeouf and Sverrir Gudnason starring as the legendary players.
With its timely statement about diversity in America, the bland and boring Bushwick fails to meet expectations.
Some of the lines in Person to Person may ring with a certain cliched timbre, but perhaps that should only be expected from a film that trades in tired New York stereotypes that are by their very nature familiar and inviting.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.
Awards season means it’s time to overcome an illness, and with Breathe, the inspirational real-life story…
It’s not one of the horror greats that many people make it out to be, but Saw is crafty and ambitious enough to warrant a horror buff’s time.
A dual character study, All The Rage benefits from its celebrity testimonies, candid interviews with Dr. Sarno, and Galinsky’s efficiency of substantiation.
Death Note has plenty of faults, but watched with the brain firmly in the “off” position, it becomes easy to enjoy – especially as it manages to feel more cartoonish than the anime it’s based on.
Alex Lines attended CinefestOZ in Western Australia over the course of last weekend and reports on the mostly Australian films he got to see.
While much of Wonder Woman was a success, the last ten minutes of the film became a lost opportunity for stronger and deeper meaning.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
Icarus is a somewhat messy if also interesting look at the doping practices in Russian sports, with a director who gets in over his head.