England Is Mine is a blend of fact and fiction, delving into the early life of The Smiths frontman Steven Morrissey.
Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.
A Boy Called Po lacks a realistic exploration of autism, falling into common tropes surrounding the depiction of autism in Hollywood films.
There’s lots of people who use humor as medicine, so expect The Death of Stalin to hit more than a few funny bones.
Amy Adams is a talented actress, with roles in comedies, dramas, and even musicals; here is a look back at her filmography to date.
In Suspiria, Argento’s use of space, lighting, vivid colors, grandiose set pieces, and Goblin’s score create a masterclass in suspense and subliminal terror.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
Marshall is the upcoming film about the life of the 1st African American Supreme Court Justice Thurgood Marshall, played by Chadwick Boseman.
Sketch comedy challenges the audience and explores unconventional ideas; this pushes directors to bring this mindset into feature films.
As a coming-of-age tale, Liza, Liza, Skies Are Grey is inoffensive, as a reminiscence of the Cold War years, it’s inert, as a whole it’s completely inconsequential.
In Megan Freels Johnston’s The Ice Cream Truck, sweet treats and sugary snacks are traded for bloodshed and suburban violence.
More Than a Word discusses and explores the Washington football team’s controversial name, casting new light on a longstanding issue.
James Franco and co are making a film about how cult favorite film The Room was actually made, and it’s called The Disaster Artist.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Although filled with flaws, this charming mini-sequel, Red Nose Day Actually is hard to criticise due to its good, charitable intentions.
