Lacking substance or exploration of themes, The Bad Batch is a pointless post-apocalyptic, psychedelic trip to nowhere-land.
The Dark Tower may not be a complete disaster, but it has numerous flaws that weigh down what could have been an entertaining film.
Darren Aronofsky returns to his bread-and-butter with Mother!, a psychological horror film long shrouded in secrecy.
The real power of scores is the intensity of feeling, the nostalgia of remembering, and (above all) the way it cements a film’s legacy.
To some audiences, the works of Shakespeare are synonymous with boring, old fashioned literature- these adaptations breathe in new life.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
Film Inquiry writer Alex Lines was able to sit down and talk with Luca Guadagnino, director of Call My By Your Name and the upcoming Suspiria.
Whose Streets? is a black story told by black voices, presenting a perspective that has remained elided in mainstream debate over black bodies and lives.
We had a chance to interview Mindy Bledsoe, director of the short film Hard Broads, which is now streaming on Seed&Spark.
Although unashamedly made for the youngest audiences possible, Captain Underpants is infectiously charming to all ages.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
We spoke with Whose Streets’ Sabaah Folayan & Damon Davis about systemic racism in law enforcement and telling the human story of the Ferguson unrest.
David Hasselhoff is back to make fun of himself in Killing Hasselhoff, directed by Darren Grant, starring Ken Jeong and of course, The Hoff.
A wonderful debut from essayist Kogonada, Columbus is as much about slowing down and taking stock of your life as it is a slow burn in itself.
The Weinstein Company and Lexus have created a brilliant platform for up and coming filmmakers with their Lexus Short Films. Submit now!
