On the second report from Heartland Film Festival, Emily Wheeler discusses 3 films, which range from a French drama to an Australian Western.
The Meyerowitz Stories may be a typical satire for Noah Baumbach, but the character of Danny, warmly played by Adam Sandler, helps to raise it.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Blending science fiction, social satire, comedy, and drama, Downsizing promises a lot, even for a director like Alexander Payne.
Alice Trueman’s Egg is a beautifully shot and scored comedy, mixing both the relatable and the absurd in a uniquely engaging way.
The Bachelors is a scarcity of a film, one that transcends several genres to create an affecting orotundity through its singular voice.
In this final report, the Film Inquiry team sums up their last film-watching experiences of the BFI London Film Festival.
Will You Be My Witness? proves to be an enjoyable slice of entertainment with a deeper message, suitable for all fans of the pop performer.
In his final Toronto International Film Festival report of the year, Tomas Trussow looks at Downsizing, Disobedience and The Death of Stalin.
Harold Lloyd is among the great silent comedians, and his work, which also spans into talkies, should speak for itself.
Like Armando Iannucci’s other work, The Death of Stalin is a reliably funny romp—it’s just not going to be seen as one of his best efforts.
Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.
Stephanie Archer takes an in-depth look at Wonderstruck, the official centerpiece selection of the 2017 New York Film Festival.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
In this sequel, Daddy’s Home 2, we join Brad and Dusty as they deal with their fathers around the holidays.
