We look back at House of 1000 Corpses, Rob Zombie’s brutal directorial debut that has since become a cult film in the horror world.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Featuring one of the coldest mother-child relationships of the year, the harrowing but heavy handed Loveless truly lives up to its title.
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
This is an exclusive clip of David Burkman’s HAZE, in theaters on October 13th, in which we look at some of the horrors of hazing.
Hollywood is not the only city to leave a lasting mark on the world of…
Daphne is a more of a character study than a film whose design cleverly portraying a layered and complex character rarely see on screen.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
Alex Lines reports from Adelaide Film Festival, and reviews Aussie films Guilty, Sweet Country Cargo and more!
Gotti is the long-awaited biopic about the infamous New York mobster of the same name, starring John Travolta.
Chloe, Alistair and Ryan report from BFI London Film Festival, reviewing films Wonderstruck, Pickups, Breathe and many more!
In Andrew Haigh’s Lean On Pete, a young boy bonds with a horse headed to a slaughterhouse, and is a great cinematic experience.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
Mike Flanagan’s Gerald’s Game, though not quite as dark as its source material, still showcases his talent for immersive horror film-making.