At NYFF, the series calls Genre Stories contains a plethora of short films, from sci-fis to horror, and made from a diversity of backgrounds.
In The Foreigner, after a terrorist attack, Quan (Jackie Chan) dedicates his life to finding the men responsible for his daughter’s death.
We analyze some of the interpretations of Twin Peaks: The Return, the dreamlike sequel series to David Lynch’s early ’90s TV show.
Stephanie Archer reports on two films from the NYFF 2017 that examine the loss and struggle of an American Cowboy and the Florida projects.
How might a predominately white community wield its power to dismiss a black life? The documentary Strong Island offers unsettling answers.
After spending three years in post-production purgatory, Friend Request arrives in US cinemas – and is certainly not worth the wait.
Prepare to be utterly charmed by Stephen Frears’ Victoria & Abdul, a warm, twee film that gives movies for senior audiences a good name.
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
With Saw V, the Saw franchise firmly waved goodbye to logic, with plot contrivances that make the film closer to sci-fi than horror.
While The Lego Ninjago movie is heartwarming and fun, its setting is problematic, and the franchise is becoming painfully formulaic.
Through strong performances and solid story, Borg McEnroe is a thrilling recreation of the iconic Wimbledon final.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
Anyone waiting with bated breath for Alex Garland’s follow up to Ex Machina got a bit of relief when the trailer for Annihilation dropped.
Last Flag Flying is an experience that likely won’t stay with you for long, but it is pleasant enough viewing to recommend a watch.
Never thought much about Japanese pop idols? Then this disturbing yet insightful documentary, Tokyo Idols, from Kyoto Miyake definitely will.
