Trophy is unflinching in its approach to trophy hunting. While it lacks definite solutions it more than makes up for with stunning visuals.
Chavela is a documentary that is an introduction to the legendary ranchera singer as well as a fond remembrance for those who knew her well.
We continue to cover the multitude of films coming from London Film Festival, with reviews of among others, 1%, Lean on Pete and Good Manners.
Axel Grigor, editor/director of the documentary about legendary Australian film editor Jill Bilc*ck, spoke with us about his film and editing.
Nostalgia is fine when it comes to the entertainment we love, but it can also have unseen dangers, especially in our current digital age.
Mini-series Fucking Adelaide premieres at Adelaide Film Festival on October 8 – Alex Lines spoke with Director Sophie Hyde.
Although visually pleasing, Tulip Fever’s chaotic script never fully commits, and by the end we are wondering what went wrong.
Equal parts funny and realistic, Different Flowers is a wonderful love letter to the Midwest, and the strength of familial love.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
A cold and familiar murder mystery is coming your way as Kenneth Branagh takes a stab at Agatha…
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
Stephanie Archer discusses three foreign films from this year’s NYFF that examine realities shattered and the consequences that follow.
In Between is a compelling study of Arab women in today’s Tel Aviv that’s delightful and eye-opening in equal measure.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.