Director Rebekah Fortune’s Just Charlie is an empathetic transgender coming out tale that slowly becomes a moving story of self-acceptance.
Becoming Jessica Nigri documents Nigri’s uniquely devoted cosplay, delving into what it means to her in addition to the idea of cosplay in general.
Amid the rubble that is The Commuter, there is an entertaining enough film to provide respite during the Winter blues, just don’t expect too much.
The Last Jedi is a polarizing film, but looking deeper into Rian Johnson’s vision you will find some potent themes, including the failures of masculinity.
In This Corner of the World is a beautifully captured and quietly tragic animation, which succeeds due to how it captures the sadness underneath the mundanity of life in a war-torn country.
We break down this year’s weird, surprising, and mostly awesome Oscar nominations and how well they reflect the great films of 2017.
12 Strong feels on a par with the cringeworthy, overly patriotic action films made during the significant wars of America’s past, with nothing to say about the nature of war itself.
While Dear Dictator’s premise, a young girl being a pen pal to a former dictator and befriending him, might seem very silly, it’s actually based on a true story. Isn’t life a great treasure trove of weird stories?
Marisa Tomei is an actress with many memorable roles through the years; here is a rundown of some of her very best.
There are seven remarkable films at the heart of Femme Frontera, a short film showcase…
FREAK SHOW: Alex Lawther Dazzles In A Transformative, Career-Making Performance
The BBQ is a low-key Australian family comedy that aspires to be 2018’s answer to 90’s Oz comedy classic The Castle, but it’s too pedestrian to follow in that films footsteps.
In TRAFFIK, a bunch of friends get into trouble with a criminal gang, and things don’t look like they’ll turn out well for them. Directed by Deon Taylor, starring Paula Patton.
Chris Watt spoke with Angie Reza Tures, the director of the Femme Frontera Filmmaker Showcase, a celebration of women filmmakers from the U.S.-Mexico border, which takes place on January 25th in Los Angeles.
With a multitude of successful hits across television and film, Netflix misses a beat with their latest film The Open House, its convoluted story and under utilized characters causing the film to fall flat before it even begins.