You can’t fault EVERY DAY for a lack of ambition – however, the film feels watered down by a breezy running time that doesn’t allow for a deeper exploration of the body swap conceit.
The screenplays of A History of Violence and Rambo: First Blood share similarities in their stories, such as centering on violent men who are confronted by their past, and how each of them deal with this collision of their two worlds.
Demon House has a crawling sense of escalating paranoia, with witness accounts and medical testimonials, Zak Bagans presents a documentary that will have you believing this just might have happened.
The Death and Life of Marsha P. Johnson is a rewarding experience and a tragic story filled with heartbreaking real-life characters, but their own humor and joy helps to balance out the very grim tidings.
On Sunday, Shawn Glinis attended Barry Jenkins’ keynote speech, a conversation between Richard Linklater and french auteur Olivier Assayas and saw several films.
Amy Adrion’s must-see documentary HALF THE PICTURE features many prominent women filmmakers who open up about their experiences with discrimination in Hollywood.
Disguised simply as a small-scale action horror film, Mohawk becomes a good focal point for something much larger than itself, which enables its flaws to be more readily overlooked.
Lynn Shelton is bringing more wandering characters to the big screen, letting them bounce off each other until havoc breaks loose.
Shawn Glinis attended the Westworld panel which was a complete whirlwind, and saw Spike Lee’s new joint at the Alamo Drafthouse. This is a report from SXSW 2018.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
In a new series, Sean Fallon takes a fresh look at films that attracted controversy and excess hype during their initial release to see if they hold up today. First up: Paul Feig’s all-female remake of Ghostbusters.
Arlin Golden got to talk with the legendary Jane Goodall, discussing her amazing experiences with apes and her reaction to the recent documentary about her called Jane.
It’s easy to hold the moral high ground and dismiss works created by awful people. But, as Jacqui Griffin writes, rejecting one of your favourite films (in this case, Allen’s Annie Hall) on these grounds is easier said than done.
Andy Warhol is often considered a pioneer of the “anti-film” or cinematic nihilism, though his films themselves leave much to be desired.
Set in the gritty underbelly of southern China, Have a Nice Day (Hao ji le) is a dark comedic commentary on greed and materialism and only a small peak into what director Jian Liu has to offer.
