INCREDIBLES 2 Trailer
THE INCREDIBLES 2 Trailer

Everyone’s favorite superhero family is back in Incredibles 2, the long-awaited sequel to a Pixar classic.…

UNSANE & The Questioning Of Exploitation Cinema
UNSANE & The Questioning Of Exploitation Cinema

Steven Soderbergh’s Unsane easily fits within the category of exploitation cinema, but why were critics willing to overlook some of its questionable morals (or lack thereof)? Emily Wheeler takes a deeper look.

I KILL GIANTS: Low Budget Fantasy-Drama is Ambitious but Uneven
I KILL GIANTS: Low Budget Fantasy-Drama Is Ambitious But Uneven

Though grounded by a strong presence in the young Madison Wolfe, I Kill Giants is often too dreary to be truly engaging, and too under-realized to be an immersive escape into a fantastical world.

SFIFF Review: LES GARDIENNES: Patience Is A Virtue With This Molasses-Paced Chef D'Oeuvre
LES GARDIENNES: Patience Is A Virtue With This Molasses-Paced Chef D’Oeuvre

Les Gardiennes is another gracefully-directed film by Beauvois, and it gifts the audience with another perfect arrangement from Legrand, three gripping performances from Smet, Bay, and Bry, and plenty of eye-catching imagery to make up for its lagging pace.

SFIFF Review: SORRY TO BOTHER YOU: Purely Imaginative, Entirely Original, Wholly Entertaining
SFIFF Review: SORRY TO BOTHER YOU: Purely Imaginative, Entirely Original, Wholly Entertaining

Sorry To Bother You is an intelligent, batshit crazy satire that offers plenty of the theater of the absurd, a standout performance from Lakeith Stanfield, the most original script of the past two years, and plenty of laughs and food for thought.

Anarchic Cinema: Dogme 95 & The Emotion And Character Of Film
Anarchic Cinema: Dogme 95 & The Emotion And Character Of Film

Matthew Roe explores the Dogme 95 movement, arguing that it shows the boundaries of the human psyche, creativity and sociopolitical climate more effectively than any other movement of its time.

TULLY: The Chronicles of a Full Time Mommy
TULLY: The Chronicles Of A Full Time Mommy

Tully is a return to form for both director Jason Reitman and screenwriter Diablo Cody, with this “hipster Mary Poppins” tale feeling like a thematic sequel to their beloved Juno.

SXSW Review: FIELD GUIDE TO EVIL: Loses Its Way, But Still Has Fun
SXSW Review: FIELD GUIDE TO EVIL: Loses Its Way, But Still Has Fun

Field Guide to Evil will likely please genre aficionados and horror buffs, but on the whole, its lack of tonal cohesion will leave others underwhelmed.

SFIFF Review: KODACHROME: Analog Vs Digital In This Road Trip Gem
SFIFF Review: KODACHROME: Analog Vs Digital In This Road Trip Gem

Appropriately and beautifully shot on 35mm celluloid by Raso, Kodachrome is a touching, hilarious, and contemplative gem of a film with three wildly meritorious performances by Harris, Sudeikis, and Olsen, and timely themes.

AMERICAN ANIMALS Trailer
AMERICAN ANIMALS Trailer

In American Animals, four young men mistake their lives for a movie and attempt one of the most audacious heists in U.S. history.

Interview With AN ORDINARY MAN Writer & Director, Brad Silberling
Interview With AN ORDINARY MAN Writer & Director, Brad Silberling

We spoke with the writer/director of AN ORDINARY MAN, Brad Silberling, about his daring script, directing Ben Kingsley, working in Serbia and more!

SFIFF Review: FIRST REFORMED: The ‘Taxi Driver’ Of The Millennial Generation

A trio of staggering performances by Hawke, Seyfried, and Cedric the Entertainer, a gripping story that mines our current sociopolitical landscape for philosophical fodder, and typically formidable writing make First Reformed a mandatory watch for everyone.

OUTSIDE IN: The Human Spirit Confined
OUTSIDE IN: The Human Spirit Confined

Bolstered by the quiet compassion that has always been her strong suit, Lynn Shelton has turned in another stunning independent feature with Outside In that no one who enjoys the quieter side of life should miss.

GHOST STORIES: Is 'Good Enough' Good Enough?
GHOST STORIES: Is ‘Good Enough’ Good Enough?

Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?

BIRTHMARKED: A Misfire In The Name Of Science
BIRTHMARKED: A Misfire In The Name Of Science

Birthmarked is a comedy struggling with an identity crisis. Maybe that’s the point, or was more nurturing required?