Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his review for A Northern Soul and his interview with director Sean McAllister.
Guest author Brooke Whipple analyzes the representation of gender in Invasion of the Body Snatchers, and how it foreshadows humanity’s destruction.
We spoke with Sophie Skelton about her new film, 211, what it’s like working with a veteran like Nicolas Cage, and also what fans can expect from season four of Outlander.
The Color of Pomegranates offers an experience of careful, questioning celebration that combines appreciation of artistic beauty with cognizance of worldly suffering.
Despite a strong cast and scattered moments of inspiration, Superfly is sorely lacking in consistency on both a visual and narrative level.
Much like a drive along Australia’s expansive coastal roads, Just Between Us is a breezy, casual ride that doubles as a nice nature documentary on the sunny side of Australia.
Based on the novel by Sarah Waters, The Little Strangers is directed by directed by Lenny Abrahamson and stars Domhnall Gleeson and Ruth Wilson.
Stephanie Archer reviews Post No Bills, an animated short about taking risks, and spoke with with director Robin Hays.
2013 coming of age comedy drama The Way Way Back is made for summer. It’s light, funny and full of life, while still managing to be poignant.
First, you’ll laugh at nonsensical crime thriller Hangman – and then, you’ll grow annoyed that this actually got made over better projects.
A fun-filled flick with an all-star cast of charismatic ladies having a blast; Ocean’s 8 is a stylish follow-up that captures the spirit of the original trilogy while still doing its own thing.
First Man is a look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon.
Between Monday 4th and Friday 8th June, 16 major trailers were released. Nathan Osborne looks past the hype to see which is best.
With a re-release on 70mm, we look back at the sci-fi classic 2001: A Space Odyssey, which continues to astound after 50 years.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
