In this first part of The History of British Cinema, we discuss the rise of the studio film in the 1940s and ’50s.
Nico, 1988 from director Susanna Nicchiarelli respectfully marks the 30th anniversary of the late singer’s death while attempting to restore a little of her legacy.
Mission: Impossible – Fallout finds Tom Cruise once again flying through action setpieces for our amusement; it is more than worth the ride.
The Gallagher family of Shameless is back with season 9 on Showtime on September 9th!
Perhaps it’s due to the burden of excited expectations, but ultimately the sum that is Generation Wealth is never able to surpass its 25 years of parts.
%%excerpt%% The Insufferable Groo is an endearing and often funny profile of an amateur filmmaker who’s equally inspiring as he is narcissistic.
Airing the first three episodes at once, we’re able to get a good grasp on Castle Rock’s core tale, without fully knowing the depths of this thrilling new series by creators Sam Shaw and Dustin Thomason.
In Widows, four women with nothing in common except a debt left behind by their dead husbands’ criminal activities, take fate into their own hands.
Puzzle takes us along the creation, through each piece, discarding those that don’t belong, and finding a colorful compromise.
Shot over three years, Miao Wang’s Maineland depicts the cultural struggles of students arriving from China to study in Maine.
While the premise is nothing new, Calibre’s approach to it is rather refreshing – it’s a confident thriller that constructs tension effectively.
Fix may lose focus of some of its narrative threads but they are never completely out of sight: it is clearly taking its time developing these characters, which will most likely work out best for the series in the long run.
The Captain is the kind of project that suffers from an identity crisis, never deciding what it wants to say or how seriously it should take itself.