If there is one film you see this holiday season, make it Lez Bomb. It’s a modern and hilarious take on coming out, during one of the most hectic and family oriented holidays of the year.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
Monster Party is a quick, gory horror romp with a modern sensibility. It’s undoubtedly a bloody good time.
Daredevil is still the stunner of Hell’s Kitchen, and of the Netflix Marvel world, with an adept season three that goes back to its roots, but also grows from them.
This week’s episode of Doctor Who, on board a travelling space hospital, the gang come up…
Dark Money does provide some hope, but the film falls short in helping the viewer to understand how he/she can be empowered to make a difference.
Tomm Moore’s 2014 animation Song of the Sea is an unapologetically emotional tale, that aims to make the viewer embrace what it means to be human.
We were able to speak with Jeffrey Wright and Vainuupo ‘A.V.’ Avegalio, who are both involved with the documentary We Are Not Done Yet.
Although it’ll be overshadowed by The Hate U Give, River Runs Red is an important film. The themes it explores make it a vital piece of social commentary.
The Manga Master takes a potentially interesting subject, and transforms his life into the stuff of biopic cliche.
Alex Pettyfer keeps us guessing as he directs and stars in the complicated family drama, Back Roads.
The Haunting of Hill House is full of arresting images and startling moments of pure drama; this is a show that doesn’t skimp on the heft and it presses its viewers with an inherent need to invest.
Sacrifice is not as strong as Brown’s other work, particularly his fascinating previous effort The Push, but it’s still bound to get people talking.
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
Clunky and at times, confusing, Here and Now fails to give Sarah Jessica Parker the chance to dive deep into herself and give the emotional performance she was hoping for.
