There is a tiredness within American Horror Story: Apocalypse’s “Sojourn”, and its inability to reinvent the Satanic image.
In Destroyer, Nicole Kidman stars as a police detective who reconnects with people from an undercover assignment in her distant past in order to make peace.
American Horror Story has referenced previous seasons throughout the show but has scarcely included “Murder House”, this year calling forth old ghosts, cutting open their retelling of Rosemary’s Baby in 2018 and considering what else is to be said.
One Cut for the Dead is an inventive zombie comedy that encourages the feel good celebration of the hard work that goes into making any film.
Despite some individually great moments, How To Get Away With Murder’s “We Can Find Him” doesn’t come together as strongly as hoped.
The most frustrating thing about The Nutcracker and the Four Realms is it’s not a terrible movie – just a movie that’s never interesting, magical, or perilous.
In part three of our Tokyo International Film Festival coverage, we discuss a retrospective on the comedy classic Some Like it Hot.
In this article on film and philosphy, Lance Conley looks at the pessimistic philosphy embedded within raunchy animated comedy Sausage Party.
The horror of the unknown, the horror of David, the horror of The Guest, all trace back to the simple question the film asks us and then leaves to fester: “Who is David Collins?”
Aided by a stellar central performance from Matt Dillon, The House That Jack Built is an unforgettable, uncomfortable nightmare, and one of the few films of the current age that more than lives up to its transgressive billing.
As Supergirl’s fourth season prepares for the reintroduction of Lex Luthor to a new generation, the series is as strong as it’s ever been.
In Vox Lux, an unusual set of circumstances brings unexpected success to a pop star.
The original A Star is Born remains a triumph, a powerful romance and an engaging look at the Hollywood of the era.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
For all its superficiality, there’s a warmth to Coogan and Reilly’s central partnership in Stan & Ollie that – all stiltedness noted – deserves the faint smile it leaves you with.
