We spoke with the director of What They Had, Elizabeth Chomko, and the personal nature of her film, and filmmakers who inspire her.
We spoke with Sandra Seeling Lipski, director of Evolution Mallorca International Film Festival, about what new things the fest has to offer this year, and more.
If you have children who are itching for a cinema trip during the spooky season, there have been much worse offerings than Goosebumps 2 in the past.
Night School is unforgiveably bland. It’s difficult to care about anything that happens, because the jokes are so flat, and the characters so dull.
The Old Man and the Gun is a love letter to many things: the 1970s/early ’80s, the aging outlaw trope so often seen in Westerns, and to film itself.
Our latest report from LFF includes a nice mix of crowd pleasers in-waiting, anticipated auteur efforts, and a slew of arthouse discoveries.
The Doctor journeys across a dangerous landscape in Episode 2 of the new Doctor Who, saving humans and aliens as she goes.
The Kindergarten Teacher is expertly magnetic as a vessel for a cringe-worthy effect of its own making, and with a strong central performance by Maggie Gyllenhaal as well.
Better Start Running feels like a cliched indie – fitted head to toe with an ever-present oddball ensemble cast – taking to the road for an adventure.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
The Venture Bros. episode 10 was an excellent episode that managed to wrap up a few seasons of plot while also opening up the future for Hank and the Monarch.
Killer Kate! is silly and toneless – although flawed, it may be the calling card for debut filmmaker Elliot Feld for more suitable projects to come.
Holmes & Watson is a humorous take on Sir Arthur Conan Doyle’s classic mysteries starring Will Ferrell and John C. Reilly.
As glossy, glamorous and fast-paced as the auctions it focuses on, The Price of Everything is a fun look inside an elite world that few of us could ever imagine entering.
Rodin portrays its titular character as a fiery genius who is much better interacting with lumps of clay than he is with human beings. For an artist biopic, this is both predictable and exhausting.