Kidman and Kusama work impeccably together in Destroyer to create an anti-heroine who can shoulder the weight of a familiar genre while rarely giving in to easy tropes.
In Where’d You Go, Bernadette, a 15-year-old’s mother goes missing, and she does everything she can to track her down, discovering her troubled past in the process.
In this beginner’s guide we look back at the career of director Joe Dante, focusing mostly on his iconic 1980s hits.
We take a retrospective look at Ingmar Bergman’s The Serpent’s Egg, which many view as a misfire from the director, but could be seen more favorably through another light.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
Pick of the Litter is a sweet and simple film about animals that doesn’t place any of them in peril – so it’s pretty much a winner.
As anime becomes increasingly mainstream in the west, Film Inquiry’s Christina Tucker examines the past and potential future of the genre.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.
We were able to talk with Megan Griffiths, director of the dark coming-of-age drama Sadie, which is now available in the U.S. on VOD.
Home Alone 2 does offer holiday charm, cheekiness, and sass that makes you love your family even when you wish you never belonged with them on Christmas Eve.
Aquaman is not really a bad movie by DC’s standards, but it is the weirdest thing they’ve made in recent years by a country mile – and not always in a good way.
In Triple Frontier, five former Special Forces operatives reunite to plan a heist in a sparsely populated multi-border zone of South America.
For our latest Staff Inquiry, we are discussing something a bit different: not our favorite films, but our favorite moments from 2018 films.
We spoke with Alex Pettyfer, director and star of Back Roads, about what it was like directing for the first time, how much this project meant to him, and his take on the story.