THE PREDATOR: 80’s Action Schlock Gone Horribly Wrong
THE PREDATOR: 80’s Action Schlock Gone Horribly Wrong

The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.

NYFF 2018 Report 1: Experimental Films: THE IMAGE BOOK & YOUR FACE

In this first report from NYFF, we delve into Jean-Luc Godard’s latest film and an experimental feature from Ming-liang Tsai.

AT ETERNITY'S GATE Trailer
AT ETERNITY’S GATE Trailer

At Eternity’s Gate presents a look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

"It probably doesn't get more personal than this." Interview with Eva Vives writer/director of ALL ABOUT NINA
“It probably doesn’t get more personal than this.” Interview With Eva Vives, Writer/Director Of ALL ABOUT NINA

Kristy Strouse spoke with Eva Vives, director of All About Nina, using her own emotional history to power this inspiring hybrid of comedy and drama.

A STAR IS BORN: Heart And Soul In Cooper And Gaga's Song
A STAR IS BORN: Heart And Soul In Cooper & Gaga’s Song

A Star is Born announces Bradley Cooper as the next great actor-director, but Lady Gaga is by far the beating heart of his directorial debut.

CLIMAX: (Bored to) Death on the Dancefloor
CLIMAX: (Bored To) Death On The Dancefloor

Climax is an oddly boring affair, that shows Gaspar Noe has little of substance to offer when divorced from more offensive subject matter.

AMERICAN HORROR STORY: APOCALYPSE (S8E3) "The Forbidden Fruit": The Coven Arrives with a Few Twists
AMERICAN HORROR STORY: APOCALYPSE (S8E3) “The Forbidden Fruit”: The Coven Arrives With A Few Twists

The third episode of American Horror Story: Apocalypse is a biblical and a grim fairy tale, delivering shock and unpredictability, as the Coven arrives.

Tribeca TV Festival 2018 Day 2: Celebrating American Fashion, Entrepreneurship and Ray Donovan
Tribeca TV Festival 2018 Day 2: Celebrating American Fashion, Entrepreneurship & Ray Donovan

Stephanie Archer rounds up her experiences at 2018 Tribeca TV Festival, including two world premieres and the 10th anniversary of Shark Tank.

LIFE ITSELF: Elevated Love Story Through The Ages Falls Flat

Dan Fogelman’s Life Itself has heart, but it’s ultimately too shallow in execution to support his grander ambitions. 

STAN & OLLIE Trailer
STAN & OLLIE Trailer

In Stan & Ollie, the world’s most famous comedy duo, Laurel & Hardy, attempt to reignite their film careers as they embark on what becomes their swan song.

Avant-garde Video Art: How Experimental Filmmakers Create Immersive Experiences That Transcend Generic Cinema
Avant-Garde Video Art: How Experimental Filmmakers Create Immersive Experiences That Transcend Generic Cinema

Sensory immersion avant-garde video art grabs the spectator and pulls them into the narrative, they themselves become just as important as the work.

SHAMELESS “Weirdo Gallagher Vortex”(S9E3): Politics, Gallagher Style
SHAMELESS “Weirdo Gallagher Vortex”(S9E3): Politics, Gallagher Style

While providing some fun, the “Weirdo Gallagher Vortex” will keep your attention, though it doesn’t really feel like a step forward, leaving viewers waiting for the Shameless we’ve come to love.

EXCALIBUR: Is This The Best King Arthur Movie?
EXCALIBUR: Is This The Best King Arthur Movie?

Offering a backstory to the infamous tale of Arthur and his Knights of the Round Table, Excalibur excels in its fantastical showcase delivering a story that is still fresh and grand today.

Tribeca TV Festival 2018 Day 1: Retrospective Looks at the Careers of Bryan Cranston and Rosario Dawson
Tribeca TV Festival 2018 Day 1: Retrospective Looks At The Careers Of Bryan Cranston & Rosario Dawson

Stephanie Archer rounds up some of her experiences at 2018 Tribeca TV Festival, including two conversations with Bryan Cranston and Rosario Dawson.

The Venture Bros. (S7E8): "The Terminus Mandate"
The Venture Bros. (S7E8): “The Terminus Mandate”

Feeling quite like a standalone episode, “The Unicorn in Captivity” the focuses the action on the villainous end of the cast while Dr. Venture has a plot that offers up silliness.