In anticipation of its induction into the Criterion Collection, we look back on A Story From Chikamatsu, a film with with a sharp focus on the social phenomenons of 18th century Japan.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
Reviews of Claire Denis’ latest, a film from Bi Gan, and more – straight from Toronto International Film Festival.
By elegantly twisting the tropes of both the road movie and the war movie, The Last Suit tells a familiar story in a fresh manner.
Even though this week’s episode goes a bit downhill, Shameless has plenty of laughs as the Gallaghers try to navigate life, with plenty of room for the cast to shine.
In Paul Dano’s Wildlife, a boy witnesses his parents’ marriage falling apart after his mother finds another man.
Neo-Noir films are full of cynicism, despair and characters who are trying to find a way out of the shadows – here are the genre’s essential films.
Curious about Cuarón’s, Chazelle and McQueen’s latest? From Toronto International Film Festival, here are our reviews of Roma, First Man, Widows – and more!
A Fine Wife is an important film and a conversation starter, giving us a raw inside look at mental illness from the point of view of a loving mate.
While Sierra Burgess is a Loser isn’t amazing, it’s worth a watch if you’re into something simple that has a happy ending.
We spoke with Greg Fortier, Annika Pampel and Elaine Loh, this year’s winners of the ISA Table Read My Screenplay competition.
The Film Inquiry team presents its favorite 2018 Emmy series nominees – drama, comedy and limited series. Which are you hoping will win?
We were able to talk with Colin Minihan and Brittany Allen, the director and star of the thriller What Keeps You Alive.