The Wife is a middlebrow bore, a domestic drama with an intriguing concept that’s made easily forgettable due to the middle of the road direction from Bjorn Runge.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
The Ballad of Buster Scruggs is the Coen Brothers’ latest, an anthology western following six different storylines centering on a man named Buster Scruggs.
“Are You There Shim? It’s Me, Ian” doesn’t deliver the sort of Shameless panache that the earlier seasons had, but it bodes promising.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
In this report from Toronto International Film Festival, we talk about Melissa McCarthy’s latest, Bradley Cooper’s A Star is Born, and more!
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
The American Horror Story: Apocalypse’s season premiere delivered with a punch, launching a new chapter in the popular anthology and giving viewers their first taste of the upcoming crossover.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
The Angel applies a straightforward template devoid of innovation or complications feeling far too standard for such an unconventional story.
Frank H. Wu’s mother, an immigrant from China via Taiwan, used The Shining to teach about right and wrong to her young son.
The Answer isn’t a film about toxic masculinity – it challenges the masculine status quo and offers a refreshing look into the men grappling against it.
A clunkily-titled but absorbing documentary with alot of material to juggle, The Public Image Is Rotten is breathless at times, but never less than engaging.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
Our latest reviews from Toronto International Film Festival, including Joel Edgerton’s Boy Erased, Ben Is Back, Jean-Luc Godard’s latest, and more.
