Arthur must enlist the help of his half-brother Orm to protect Atlantis against Black Manta, who has unleashed a devastating weapon.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
With the second report from TIFF we are brought three wildly different films, and a TV series, all bold in their individual ways.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light.
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
For this edition of the column I decided to dive into two of Paul Verhoeven’s interesting and unique filmography.
Solitary, cold, methodical and unencumbered by scruples or regrets, a killer waits in the shadows, watching for his next target in David Fincher’s newest.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.