While it might take longer than we want, I hope that in the years to come we have an Academy Awards that shows the true range of cinema.
Now more than ever, filmmakers and production companies are gearing toward zero-waste set design.
Directors and fellow actors have come and gone, but Jonas Chernick remains, returning each year to the Glasgow Film Festival with a new cast and crew.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.
In this SXSW report, we take a look at two female-driven titles: An Army of Women and We Were Dangerous.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Had Reality been released today, it likely would have attracted more eyeballs to what is truly a fascinating film.
A dark fairy tale that blurs the line between reality and fantasy, Riddle of Fire will make you feel young again in the best way possible.
By the final image of The Promised Land, we’ve been taken on an epic adventure, and in our heart of hearts, we are sated by the sweep of it all.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
My Sextortion Diary, the hour-long documentary that arose from Franquesa’s harrowing experience with digital blackmail.
This thriller is confidently executed enough to swing for the fences with metaphysical lore that’s either complex enough to unpack with friends.
