“Migration” doesn’t soar to new animated heights, but it knows where to find the best spots worth visiting.
Film Inquiry spoke with Alden Ehrenreich, writer, director and actor, for his short film Shadow Brother Sunday.
“Godzilla Minus One” is a blockbuster that dials up the heart when others may have invested more time (and money) in shoddy visual effects.
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.
Film Inquiry spoke with composer Oscar Pan for his work on the short film Motherland!
The themes of “Fleabag” are heavily supported by the visuals, particularly emphasizing the undertones and tonal shifts between seasons one and two.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
“Princess Cyd” is superbly shot, written and acted, with a relaxing slice-of-life approach to its story that makes it a delight every time.
Writer and Director Makoto Shinkai talks about his film Suzume, his influences, video games, mourning, loss and having an asteroid named after him!
Benefitting from a strong cast (and an even wiser script) Dumb Money adds a touch of wit and wildness to the tired biographical drama format we’ve seen.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
A Creature Was Stirring feels as though it has something deeper to say, but never seems to find the cohesion and narrative direction to say it.
The artfulness, creativity, and uniqueness of Our Flag Means Death Season 2, combined with the darling charm and wit, will win audiences over immedately.