Film Reviews
The Snake feels like a movie that is desperately trying to create chaos instead of letting its lead character naturally conjure it up.
Project Hail Mary may not be a groundbreaking achievement, but it’s sure to give you some escapist entertainment for 2+ hours.
The Stranger is visually stunning, well-acted, and rich with the heady atmosphere one gleans from the pages, but still leaves you wanting more.
It ain’t SXSW if we’re not getting our horror and action comedies. This year is no different, as we get some of the most unhinged headliners to date.
Home Delivery offers a warm, often funny, and occasionally uneven experience that wears its heart openly.
Caroline Golum’s sophomore feature boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
There are a lot of different kinds of love, and whether it be familial or romantic, it never comes easy. We take a look at two such films at SXSW:
This year SXSW did it again and selected some of the weirdest, wackiest, and most laid-back comedies.
These three SXSW titles shook up the status quo and took (mostly) unexpected turns to create something exciting.
Two of the films at SXSW this year were about the high school experience and the way art can transform and heal.
Inventive, edgy, and ultimately unforgettable, Grind & Drag are coming through with the big SXSW vibes.
Palestine ’36 is an important film despite its imperfections—mainly, its valiant attempts to do and say a little too much for one movie.
Judit Polgár is one of the greatest chess players of all time. In 1991, she…
Ajike Owens should still be alive. The mother of four was shot by her neighbor…
Undertone is mostly a vibe-piece–– a thin 2000s horror narrative wrapped up in a 2020s look and feel.