Film Reviews
Fire Walk With Me is a bolder, darker look at the Twin Peaks universe, but it is essential in understanding the show’s larger themes.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
Any advocate for the sustainable farming industry will enjoy director Laura Dunn’s documentary Look & See: A Portrait of Wendell Berry.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
A deeply touching film about sexuality, Between The Shades opens the door to seeing LGBTQ+ people as exactly what they are. Human.
