Film Reviews
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
In her second report, Kristy Strouse shares three more films that she adored, all very different, but each with fantastical elements.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
From adult animation about cryptids to thrillers, in her first report from The 2021 Sundance Film Festival Kristy Strouse gives us her first three reviews.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.
While it doesn’t give its audience straightforward answers, Echo offers a kind of diagonal empathy that’s refreshing and valuable.
Supernova is a remarkable little film, highlighted by the beautiful chemistry between stars Colin Firth and Stanley Tucci.
With Sound of My Voice is celebrating its anniversary this year, now is the time to relive this classic Indie gem or to discover it for the first time.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
Blizzard of Souls is a movie made up of things a good movie is normally made up of, but with no comprehensive thread to connect them.
