Film Reviews
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
Max Reload And The Nether Blasters attempts to bring back that 80s nostalgia with a modern-day feel.
As lovely as the works of Eric Rohmer, The August Film is a perfect summer film for thirtysomethings who have not yet found themselves.
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
Spree is an exceptionally fun time that serves as a chilling satire on the impact social media has on society.
The triumph of The Columnist goes beyond an intimate understanding of the problems of the digital age, to a solid grasp on how that culture makes monsters.
While reluctant to dive deeper into the effects of violence in the media, Random Acts of Violence offers plenty of fun to make it unmissable.
A Night of Horror: Nightmare Radio is a horror anthology curated by Nicolás Onetti and Luciano Onetti. The film consists of horror shorts made between 2012 and 2017.
Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.
As a follow-up to 2008’s Mental, Zero offers a pleasantly intimate but never intrusive portrait of the life of Dr. Masatomo Yamamoto.
