Anya Taylor-Joy
The most positive praise that can be bestowed on The Super Mario Bros Movie is that it’s not as bad as 1993’s Super Mario Bros.
Both beautiful and brutal, Robert Eggers’ The Northman is a saga worth seeing.
From acclaimed director Robert Eggers, The Northman is an epic revenge thriller that explores how far a Viking prince will go to seek justice.
Last Night in Soho immediately pulls you in with its colorful visuals and strong performances but it lacks the subtlety necessary to be truly impactful.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer.
The Queen’s Gambit is stunning and exhilaratingly enjoyable, but it ultimately leaves me as a viewer just wanting more of it as a whole.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
Emma is able to seamlessly adapt the Jane Austen novel with all the nuance and pizzazz that it deserves.
In The New Mutants, five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
A ghost of the film it tries to summon, The Secret of Marrowbone is unable to pull everything together and its disparate elements fail to coalesce into anything approaching satisfying.
Watching Thoroughbreds, one is fully aware of the debt it owes to the similar films that came before it. But that doesn’t make it any less enjoyable to watch. Female friendship has never looked so deliciously dangerous.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.
