Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
Already considered by many as the worst film of all time, Holmes & Watson is likely to make even the least demanding cinema-goers feel as if they’ve had their intelligence insulted.
Individually, scene to scene, Second Act has its highlights. But as a whole, the film simultaneously works and doesn’t work – the epitome of a mixed bag.
If the Fantastic Beasts films are going to recapture the magic of Harry Potter, they need to focus on where their true magic lies, and that might be with one man named Jacob Kowalski.
The Leisure Seeker isn’t a bad film, but its sluggish pace, inexplicable changes between the film and the book, and some corny dialogue keep it from being great.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
Home Alone 2 does offer holiday charm, cheekiness, and sass that makes you love your family even when you wish you never belonged with them on Christmas Eve.
The charisma of Macaulay Culkin matched with the intelligent script by John Hughes makes Home Alone the definitive holiday story that it is, appealing to all ages.
We break down the career of Dave Franco, who transitions from the inherently unlikable pseudo-villains to the everyman, unconventional heroes, and some bizarre characters sprinkled in between.