comedy
The Venture Bros. episode 10 was an excellent episode that managed to wrap up a few seasons of plot while also opening up the future for Hank and the Monarch.
Killer Kate! is silly and toneless – although flawed, it may be the calling card for debut filmmaker Elliot Feld for more suitable projects to come.
When the USA is safely within the next Democratic term of office, expect The Front Runner to be looked back upon more fondly; it’s mightily enjoyable political entertainment.
An incredibly funny film, An Evening with Beverly Luff Linn is a wonderful example of a film that is able to be surreal, comic, and emotional – even if the ending is really very, very bad.
After nine seasons, we say goodbye to one of the Gallaghers in what is easily the best episode of this season of Shameless thus far.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
On numerous conscious and subconscious levels, Jean Vigo’s Zero for Conduct is one of the most honest examinations of humanity and human society yet made in cinematic form. That is Anarchic Cinema.
Director Yorgos Lanthimos’ latest is his first truly empathetic character study, aided by three powerhouse performances from Colman, Weisz and Stone.
In an age where horror options are plentiful this time of year, Hell Fest’s derivative thrills almost feel insultingly disappointing.
Private Life is a beautifully crafted study of two people who struggle to relinquish their desire to control and plan every element of their life.
Expelling all mental illness, Maniac blends all conceivable genres and tones, in an unmistakably difficult balancing act set in an unknown retrofuturist timeline.
With an infectious sense of humor and some wonderfully dynamic performances, The Favourite is a shining example of a filmmaker at the prime of his art.
And thus, we arrive at the fireworks factory. After a few episodes that were more…
“Do Right, Vote White!” marks Shameless’s 100th episode and it does so with the style we’ve become accustomed to.
Smallfoot is desperate to entertain its audience with musical numbers, visual gags, and rapid-fire dialogue without paying that same attention to character or stakes.