comedy
From 2008, French film A Christmas Tale offers a different type of holiday film – one that is melancholy, depressing, and yet also intriguing.
Future ’38 is a memorable adventure which perfectly reflects our time, as well as reminisces about the films and sensibilities of the past.
The Santa Clause isn’t the festive classic you remember – it’s a soulless comedy that doesn’t even understand the meaning of Christmas.
The Disaster Artist is a painstakingly recreated and, above all, entertaining film about the making of Tommy Wiseau’s cult classic The Room.
Jumanji: Welcome to the Jungle is a surprising treat, modernizing the original film while also creating a fun, lively action-adventure.
I, Tonya is a refreshingly dark comedy biopic about the famous 1994 Tonya Harding incident, and is laden with incredible performances.
Mr. Roosevelt is about discovering changes about yourself when confronting your past, poignantly wrought by first-time director Noël Wells.
With verisimilitude, outstanding acting from its central and supporting cast, and sentient multifaceted perspectives, Wonder succeeds.
Qarib Qarib Singlle is perfect thanks to the undemanding running time, whimsical characters, and fresh elements to a classic formula.
The skillfully obtuse Infinity Baby withdraws from a usual comic routine and commits to its outrageous nature wholeheartedly.
The Only Living Boy in New York is a competently directed film pulled down by a mediocre script and relying too heavily on melodrama.
Matthew Vaughn’s sequel Kingsman: The Golden Circle is narratively unfocused but still contains enough excitement to keep you invested.
Being a big fan of horror, I’m always keeping track on the new films that…
The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.