coming-of-age
I Used to Be Normal is a heartwarming reaffirmation of the power of fandom, a heartwarming, non-judgemental documentary that’s not just for boyband fans.
To All the Boys I’ve Loved Before is a testament to how far young adult films have come, resisting stereotypes and cliches despite seeming to fall into a gimmicky premise.
With Laura Gets A Cat, Michael Ferrell continues his knowing efforts within the romantic comedy genre.
Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
In a genre dripping with teenage iconoclasm and headbanging angst, Adventures in Public School makes at the very least for comforting viewing and offers a sweet view of respect, family and independence.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Hearts Beat Loud rings emotionally true, and is heartwarming in its portrayal of youth, old age and perfect pop music.
2013 coming of age comedy drama The Way Way Back is made for summer. It’s light, funny and full of life, while still managing to be poignant.
With Jeune Femme, writer/director Léonor Sérraille has captured a painfully realistic story – with an unforgettable performance at the centre.
In this Sundance London Film Festival Round-up, Alistair Ryder looks at the films he saw that charmed Sundance audiences enough to make the trip across the Atlantic.
It doesn’t always manages to keep your attention, but when Jacob’s inspired cinematography and the cast’s strong acting appear on screen, Cold November demands your attention and it surely gets it.