Dakota Johnson
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
Eight years after Anne Elliot was persuaded not to marry a dashing man of humble origins, they meet again. Will she seize her second chance at true love?
A man who works as a bar mitzvah party host strikes up a unique friendship with a young woman and her teenage daughter.
In her second report from Sundance Film Festival Kristy Strouse reviews Cha Cha Real Smooth & Am I OK?
While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
The Peanut Butter Falcon is more interested in getting you to like it than in having much to say, and you know what, that’s okay.
In The Peanut Butter Falcon, Zak runs away from his care home to make his dream of becoming a wrestler come true.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
